
(Please
note that the appropriate diacritical marks and accents are provided
throughout the book, but are not included in the below entries
list. List is not final and is subject to change prior to publication.)
Victoria
Aarons,
Professor of English at Trinity University, received her Ph.D.
from the University of California, Berkeley. She is the author
of A Measure of Memory: Storytelling and Identity in American
Jewish Fiction (University of Georgia Press), which received
the CHOICE Award for an Outstanding Academic Title, 1996.
Aarons has written numerous essays in scholarly journals and books
on American Jewish literature, including a recent piece on Philip
Roth, in the special issue of Shofar (2000). She is currently
working on the literature of second-generation Holocaust writers.
Dvir
Abramovich, Jan Randa Lecturer in Hebrew and Jewish Studies,
has Bachelor degrees in Arts and Law from Monash University, a
Master of Arts, and a Ph.D. from the University of Melbourne.
Dr. Abramovich lectures in modern Hebrew literature, language,
and Judaic studies at the Hebrew and Jewish studies program at
the University of Melbourne, in particular courses such as introduction
to modern Jewish culture, the modern Jewish world and Israel,
reading the Holocaust, exploring the world of Jewish literature,
and Jerusalem in Jewish literature. He has also edited a book
on Jewish literature for UWA press to be published in 2003. He
is the editor of the Australian Journal of Jewish Studies,
and has published widely in professional and non-professional
publications. Dr. Abramovich is the Chairperson of the Hebrew
Culture department at the State Zionist Council and Vice President
of the Australian Association of Jewish Studies.
Monika
Adamczyk-Garbowska is a Professor of American and Comparative
Literature and Head of the Center for Jewish Studies at Maria
Curie-Sklodowska University in Lublin, Poland. She is a translator
from English and Yiddish and held visiting fellowships at YIVO
Institute for Jewish Research, Columbia University and Brandeis
University. Her major publications include Isaac Bashevis Singer's
Poland: Exile and Return [in Polish] (1994) and Contemporary
Jewish Writing in Poland: An Anthology (2001), a collaboration
with Antony Polonsky. She is also on the editorial board of Polin:
Studies in Polish Jewry.
Ehrhard
Bahr is a Professor of German at the University of California,
Los Angeles. He authored a book on Nelly Sachs and articles on
Jewish emancipation, exile literature, and Holocaust literature.
Lee Behlman
is an Assistant Professor of English at Kansas State University.
His research interests and upcoming publications are in the fields
of Victorian studies and literature and religion.
Pascale
Bos is an Assistant Professor of Netherlandic and Germanic
Studies at the University of Texas, Austin. She has published
articles on Holocaust literature and gender and the Holocaust.
She is currently working on a monograph on German Jewish survivor
authors and on a study on Dutch second-generation authors.
Kathrin
Bower is an Associate Professor of German and Coordinator
of Jewish Studies at the University of Richmond, Virginia, and
the author of Ethics and Remembrance in the Poetry of Nelly
Sachs and Rose Ausländer (2000). She was a post-doctoral fellow
at the Franz Rosenzweig Institute for German-Jewish Studies at
the Hebrew University of Jerusalem. She has written and published
on German Holocaust poetry and reception, contemporary German-Jewish
literature, and gender and identity politics in German film.
Stephan
Braese, Studies of German history and didactics of higher
education at University of Hamburg. Dr. Phil. 1994. 1995-1997
Postdoc fellow of Franz Rosenzweig Research Center for German-Jewish
Literature and Cultural History at Hebrew University Jerusalem.
1998-2000 Fellowship with the German Research Foundation. Since
2000 private lecturer in Bremen.
David
Brauner is a lecturer in English and the Director of American
Studies at the University of Reading (UK). He has authored Post-war
Jewish Fiction: Ambivalence, Self-explanation and Transatlantic
Connections (Palckave, 2000) as well as articles on Saul Bellow,
Philip Roth, Jane Smiley, and many contemporary American-Jewish
and British-Jewish writers.
Steven
Dedalus Burch is an Actor, Director, and Playwright. He is
the recipient of a playwriting fellowship from the New York Foundation
for the Arts. He teaches Theatre History at Allegheny College
as a visiting Assistant Professor of Communication/Arts/Theatre.
Holly
Burmeister is a Ph.D. candidate at the University of Michigan.
Janet
Handler Burstein is a Professor of English Literature at Drew
University. She has written numerous articles on Victorian literature,
women's literature, and American Jewish literature; She has published
Writing
Mother, Writing Daughters: Tracing the Maternal in Stories by
American Jewish Women (University of Illinois, 1996); and
is working on a book about the last two decades of American Jewish
writers.
Ezra
Cappell is a Ph.D. from New York University where he currently
holds the American Literature Fellowship. Cappell has taught literature
and non-fiction writing at New York University, and creative writing
at the City College of New York. He has published widely on American
and Jewish American fiction, and his critical study American
Talmud: The Cultural Work of Jewish American Fiction is forthcoming
from the State University of New York Press (2002). Cappell is
also completing a memoir, Hide and Seek in Rego Park.
Joshua
Charlson has been a lecturer and visiting assistant professor
at Northwestern University, where he received his Ph.D. He is
working on a study, based on his dissertation, exploring American
cultural representations of the Holocaust. He has published articles
on Art Spiegelman's Maus in Arizona Quarterly and
Saul Bellow's Mr. Sammler's Planet in Centennial Review.
Richard
Chess is an Associate Professor of Literature and Language
at the University of Northern Carolina, Asheville, where he directs
UNCA's Center for Jewish Studies. He has published two books of
poetry: Chair in the Desert (University of Tampa Press,
2000) and Tekian (University of Georgia Press, 1994). His
poems have been anthologized in Telling and Remembering: A
Century of American-Jewish Poetry (Beacon, 1997) and elsewhere.
Amy Colin,
who has personal ties to Paul Celan and the Bukovina, is the author
of the monograph Paul Celan: Holograms of Darkness (Bloomington,
IN: Indiana University Press, 1991) as well as essays on Bukovina's
multifaceted literature, Shoah poetry written in German, and German-Jewish
literature, in particular women's writing. She is also editor
of Argumentum e Silentio: International Paul Celan Symposium
(Berlin: Walter de Gruyter, 1987) and co-editor of Bridging
the Abyss: Reflections on Jewish Suffering, Anti-Semitism, and
Exile (Munich: W. Fink Verlag, 1994) and Versunkene Dichtung
der Bukowina: Eine Anthologie deutschsprachiger Lyrik (Munich:
W. Fink Verlag, 1994). After obtaining her Ph.D. from Yale, she
taught and pursued her research projects at the Universities of
Washington, Cambridge, Cornell, Pittsburgh, Harvard, FU Berlin,
Denis Diderot-Paris 7, and the Maison des Science de l'Homme.
Colin
Davis is a Professor of French Studies at the University of
Warwick, UK. His research is principally concerned with post-war
French fiction and thought. He is the author of Michel Tournier:
Philosophy and Fiction (1988), Elie Wiesel's Secretive
Texts (1994), Levinas: An Introduction (1996), Ethical
Issues in Twentieth-Century French Fiction: Killing the Other
(2000), and (in collaboration with Elizabeth Fallaize) French
Fiction in the Mitterrand Years: Memory, Narrative, Desire
(2000).
Juliette
Dickstein received her Ph.D. in Romance Languages and Literatures
from Harvard University. She has taught at Harvard and at Intercollege,
Cyprus, where she was Assistant Professor of Foreign Languages.
Her research interests concern questions of nationalism and identity,
and the consequences of traumatic history for literature, film,
and historiography. She has published articles on postwar French
Jewish writing. Currently, she is working as an education consultant
for the United Nations Development Program in Cyprus.
Norbert
Otto Eke, Studies in Paderborn and Berlin: Free University
(Germanic Literature and Theology); 1988 Dr. phil., 1995 Dr. phil
habil; Professor of German and Comparative Literature at the University
of Paderborn. Main areas of expertise: theatre and literary theory,
contemporary German Literature and German-Jewish literature; literature
of the early 19th century. Numerous Publications on German Literature
from the 18th century to the present day, including German-Jewish
relations. Last book publications: Heiner Müller (Stuttgart 1999),
Literatur und Demokratie (ed., Berlin 2000), Deutsche Dramatiker
des 20. Jahrhunderts (ed., Berlin 2000), Vormärz - Nachmärz. Bruch
oder Kontinuität (ed., Bielefeld 2000).
Norman
Fedder is Distinguished Professor Emeritus of Theatre at Kansas
State University. He is the former director of graduate studies
and the founder/director of the K.S.U. Drama Therapy program.
A member of the Kansas Theatre Hall of Fame, he is the author
of a book on Tennessee Williams, articles on dramatic literature,
and more than thirty produced plays. He is also a registered drama
therapist/board certified trainer. He founded the drama network
of the Coalition for the Advancement of Jewish Theater.
Anat
Feinberg studied English literature and theater in Tel Aviv
and London (Ph.D.University of London, 1979). She lectured at
Tel Aviv University and currently, she is Professor for Hebrew
and Jewish Literature at the Hochschule für Jüdische Studien in
Heidelberg. Dr. Feinberg has published articles on Elizabethan
and Jacobean drama, German theater, and Israeli literature and
culture. Among her publications are Wiedergutmachung im Programm.
Jüdisches Schicksal im deutschen Nachkriegsdrama (Prometh
Verlag,1988) and Kultur in Israel (Bleicher Verlag,1993).
Her study Embodied Memory: The Theatre of George Tabori
was published by the University of Iowa Press (1999), and her
German biography of Tabori will appear in 2003 in the series "Portrait"
with Deutscher Taschenbuch Verlag.
Shoshana
Felman is Thomas E. Donnelley Professor of French and Comparative
Literature at Yale University. She is the author of The Literary
Speech Act (1984), Writing and Madness (1985), Jacques
Lacan and the Adventure of Insight (1987), and What Does
a Woman Want? Reading and Sexual Difference (1993). She is
also the editor of Literature and Psychoanalysis: The Question
of Reading -- Otherwise (1982), the co-author, with Dori Laub,
of Testimony: Crises of Witnessing in Literature, Psychoanalysis
and History (1992), and the author of The Juridical Unconscious:
Trials and Traumas in the Twentieth Century (forthcoming,
Harvard University Press).
Hilene
Flanzbaum is an Associate Professor of English at Butler University,
where she also directs the Creative Writing Program and teaches
Literature of the Holocaust. She is the editor of The Americanization
of the Holocaust (Johns Hopkins University Press, 1999) and
the managing editor of Jewish American Literature: A Norton
Anthology. She has been a fellow at the Center for Advanced
Research at the United States Holocaust Memorial Museum and leads
seminars on teaching the Holocaust at the high school and university
level.
Kristie
Foell held a Fulbright research fellowship to Vienna, where
she researched her dissertation on Elias Canetti (University of
California, Berkeley, 1992). Her study of gender in Canetti's
novel was published by Ariadne Press in 1994. She is an Assistant
Professor of German at Bowling Green State University. Other research
interests include German film and music, and post-unification
German literature, which she studied with a second Fulbright to
Berlin in 1995. Textual Responses to German Unification
is forthcoming from de Gruyter and is co-edited by Foell.
Eva Fogelman
is a psychologist in private practice in New York City. She is
a Senior Research Fellow at the Graduate Center CUNY. Dr. Fogelman
is co-director of the Psychotherapy with Generations of the Holocaust
and Related Traumas, Training Institute for Mental Health. She
co-directs an international study of organized persecution of
children, Child Development Research.
Robert
Franciosi is an Associate Professor of English at Grand Valley
State University. His work on Holocaust literature includes papers
and articles on such writers as John Hersey, William Styron, Art
Spiegelman, Charlottle Delbo, and Charles Reznikoff. He is the
editor of Elie Wiesel: Conversations (University Press
of Mississippi, 2002).
Esther
Frank is a Faculty Lecturer at the Department of Jewish Studies,
McGill University. She teaches Jewish and Yiddish literatures
and Yiddish language.
Lea Wernick
Fridman is an Associate Professor of English at the City University
of New York and has written extensively on the issue of catastrophe
and representational limit. She is the author of Words and
Witness: Narrative and Aesthetic Strategies in the Representation
of the Holocaust (SUNY, 2000).
Roger
Friedmann is an instructor in the English department at Kansas
State University, where he teaches technical writing and literature.
His short story, "Sabras," was published in The Cimarron Review
in 1984.
Marianne
Friedrich received her Ph.D. in English, American Language,
and Literature from the University of Heidelberg. She studied
and taught at Washington University in St. Louis, Missouri (Fulbright).
She taught at Kent State University, Ohio, and at Webster University,
St. Louis. Her publications include the book, Character and
Narration in the Short Fiction of Saul Bellow, articles in
journals, and book chapters in Saul
Bellow: A Mosaic, Saul Bellow at Seventy-Five, A Collection of
Critical Essays. Her translations include contributions to
Simon Wiesenthal's new edition of The Sunflower.
Andrew
Furman, Associate Professor of English at Florida Atlantic
University, is the author of Israel Through the Jewish-American
Imagination (SUNY, 1997) and Contemporary Jewish-American
Writers and the Multicultural Dilemma (Syracuse, 2000). His
work has appeared in a variety of periodicals including Forward,
MELUS, Contemporary Literature, Midstream, Response, Studies in
American Jewish Culture, Modern Jewish Studies, Jewish Currents,
and the Miami Herald. He is a contributing editor of Tikkun.
Ben Furnish
is Managing Editor of BkMk Press at the University of Missouri-Kansas
City, where he teaches. He has contributed to Contemporary
Jewish-American Dramatists and Poets: A Bio-critical Sourcebook,
The Encyclopedia of Novels into Film, The Sixties in America,
and other publications. He holds a doctorate from the University
of Kansas.
Mark
Gelber holds the Ph.D. fromYale University. He is Professor
of German and Comparative Literature, Ben-Gurion University, Beer
Sheva, Israel. He was elected to membership in the German Academy
of Language and Literature (Darmstadt) and has held visiting professorships
at the University of Pennsylvania and the University of Graz.
Dr. Gelber is an Alexander von Humboldt Research Fellow at the
Free University in Berlin and his major areas of research include
literary antisemitism, cultural Zionism, exile literature, and
the literary and cultural legacy of central European Jewry.
Simone
Gigliotti taught modern European and Holocaust history in
the Department of History at University of Melbourne, Australia.
She is now a fellow of that department and was a postdoctoral
fellowship at the United States Holocaust Memorial Museum. She
will be at the University of West Indies in Jamaica during 2002-2003.
Her book Travel and Trauma in the Holocaust is under contract
with Berghahn Books, War, and Genocide Series.
Dorota
Glowacka is an Associate Professor of Humanities and Social
Sciences in the Contemporary Studies Programme at the University
of King's College in Halifax, Canada. She teaches critical theory,
feminist theory and literature, and Holocaust literature. Glowacka
has published numerous articles and reviews in the area of critical
theory, American, Polish, and French literature, as well as Holocaust
literature and art. She has edited Between Ethics and Aesthetics:
Crossing the Boundaries (SUNY, 2001). Her work focuses on
representations of the Holocaust in literature and art in the
context of contemporary philosophical debates. She is working
on a book, The Shattered Word: Writing of the Fragment and
the Holocaust Testimony.
Myrna
Goldenberg, Director of the Paul Peck Humanities Institute
at Montgomery College, teaches Holocaust literature and film at
Montgomery College, University of Maryland, and Johns Hopkins
University. She is an active Holocaust scholar, working primarily
in two areas: women's experiences and the teaching of the Holocaust.
A member of the Goldner Symposium on the Holocaust, a frequent
speaker at national and international Holocaust conferences, Dr.
Goldenberg has contributed many articles and chapters to the field.
Emanuel
S. Goldsmith is a Professor of Yiddish and Hebrew Language
and Literature, Queens College of the City University of New York.
He is the author of Modern Yiddish Culture: The Story of the
Yiddish Language Movement, the editor of the two-volume anthology,
Yiddish Literature in America: 1870-2000 (in Yiddish),
and the co-editor of The American Judaism of Mordecai M. Kaplan,
Teachers and Thinkers of Modern Judaism and Events and
Movements of Modern Judaism.
Robert
Gordon is a Senior Lecturer in Italian at the University of
Cambridge and Fellow of Gonville and Caius College. He previously
taught at the University of Oxford. His research interests lie
within modern Italian culture. He translated and co-edited (with
Marco Belpoliti) Primo Levi, The Voice of Memory: Interviews
1961-1981 (New Press, 2000), and he authored Pasolini.
Forms of Subjectivity (Oxford University Press, 1997) and
Primo Levi's Ordinary Virtues. From Testimony to Ethics
(Oxford University Press, 2002).
Claudia
Hoffer Gosselin, Lecturer in French at California State University,
Long Beach, teaches all levels of French language and literature,
with a focus on translation. She is the literary and technical
editor of The Translators' French Quarterly, sponsored
by the Department of Romance, German, Russian Languages and Literatures.
A specialist on the contemporary French author, Claude Simon,
she will be contributing an article on his World War II novel
La Route des Flandres to a volume of essays to be published
in 2003.
Tresa
Grauer is a lecturer in the Department of Foreign Literatures
and Linguistics at Ben-Gurion University of the Negev. Her recent
publications include ""The Changing Same": Narratives of Contemporary
Jewish American Identity," in Mapping Jewish Identities,
edited by Larry Silberstein, and "A Drastically Bifurcated Legacy:
Homeland and Jewish Identity in Contemporary Jewish American Literature,"
in Divergent Jewish Cultures: Israel and America, edited
by Deborah Dash Moore and S. Ilan Troen.
Michael
Greenstein is an Adjunct Professor of Jewish Studies at McGill
University. Author of Third Solitudes: Tradition and Discontinuity
in Canadian-Jewish Literature (McGill-Queens UP, 1989), he
has published 70 articles on Jewish literature and is currently
editing Contemporary Jewish Writing in Canada for the University
of Nebraska Press.
Charles
Grimes Wilmington,
North Carolina
Hanoch
Guy was awarded a Ph.D. in Modern Hebrew Poetry by Dropsie
College and an Ed.D. by Temple University where he teaches. His
specialty is Yiddish and Hebrew poetry of the Shoah. He has published
articles and presented papers in U.S. conferences and in Oxford
and Israel. Dr. Guy is preparing for publication a volume of poetry
entitled: Terra Treblinka.
Marlene
Heinemann is an Instructor of English at Edmonds Community
College. She is the author of Gender and Destiny: Women Writers
and the Holocaust (Greenwood Press, 1986). Heinemann who holds
a Ph.D. in Comparative Literature, Indiana University, has taught
all levels of German to American college students at five universities.
Kathryn
Hellerstein is a Senior Fellow in Yiddish and Jewish Studies
at the University of Pennsylvania. Educated at Wellesley, Brandeis,
and Stanford, she is known as a poet and a translator, as well
as a scholar of Yiddish poetry. Hellerstein's books include her
translation and study of Moyshe-Leyb Halpern's poems, In New
York: A Selection (Jewish Publication Society, 1982), Paper
Bridges: Selected Poems of Kadya Molodowsky (Wayne State University
Press, 1999), and Jewish American Literature: A Norton Anthology,
of which she is co-editor (W. W. Norton, 2000). Her current projects
include Anthology of Women Yiddish Poets and a critical
book, A Question of Tradition: Women Poets in Yiddish,
supported in 1999-2000 by a fellowship from the Guggenheim Foundation.
Donna
Krolik Hollenberg is an Associate Professor of English at
the University of Connecticut. She has published two books about
H.D., as well as essays about other twentieth-century writers
in the U.S. and in Canada. Most recently, she has edited a collection
of essays, H.D. and Poets After (University of Iowa, 2000).
She has also published an article on Canadian Jewish history,
"At the Western Development Museum: Ethnic Identity and the Memory
of the Holocaust in the Jewish Community of Saskatoon, Sakatchewan,"
in The Oral History Review.
Robert
Holub teaches German literary, cultural, and intellectual
history at the University of California at Berkeley. He is the
author or editor of a dozen books and seventy-five essays. Among
his publications are Reception Theory (1984), Reflections
of Realism (1991), Jürgen Habermas (1991), Crossing
Borders (1992), and Friedrich Nietzsche (1995). He
is currently working on a study of Nietzsche and the discourses
of the nineteenth century.
Sara
Horowitz is the Associate Director of the Centre for Jewish
Studies at York University. Author of Voicing the Void: Muteness
and Memory in Holocaust Fiction, which received the CHOICE
Award for Outstanding Academic Title, she has published extensively
on Holocaust literature, women's studies, and contemporary Jewish
writing. She is completing Gender, Genocide, and Jewish Memory.
Co-editor of the journal KEREM: Creative Explorations in Judaism,
she served as associate editor for fiction of Jewish American
Women Writers: A Bio-Bibliographical and Critical Sourcebook,
which received the Association of Jewish Libraries Award for Outstanding
Judaica Reference Book.
Brooke
Horvath, Professor of English at Kent State University, served
for several years as an editor with the Review of Contemporary
Fiction. He has published articles and reviews in numerous
journals and periodicals including American Literature,
Modern Fiction Studies, American Poetry Review, Southern
Quarterly, and many more. Along with Irving Malin, he is the
editor of Pynchon and Mason & Dixon and George Garrett's Elizabethan
Trilogy; and along with Joseph Dewey, the author of The
Finer Thread, the Tighter Weave: Essays on the Short Fiction of
Henry James.
Rita
Horváth holds the M.A. in English, M.A. in Archaeology, and
M.A. in History from Eötvös Loránd University, Budapest, Hungary.
Her Ph.D. studies were in the English Literature Department at
Bar-Ilan University, Israel. A Doctoral Fellowship of Excellence
supported her dissertation on confessional poetry. Her major fields
of interest are Holocaust literature and autobiographical writing.
Edward
Isser is an Associate Professor of Theatre at Holy Cross,
Worchester, Mass. Isser is the author of Stages of Annihilation
(Associated UP, 1997) and has published articles in journals such
as Modern Drama, Essays in Theatre, The Shaw Annual,
and The Shakespeare Bulletin. He is the director of the
Interactive Shakespeare Project and has directed productions at
Stanford University, University of Pennsylvania, Providence College,
Brown University, and Holy Cross. He has worked on Broadway, Off
Broadway, and regional theatres as an actor, production manager,
and stage manager.
Jonathan
Judaken is an Assistant Professor of modern European cultural
and intellectual history at the University of Memphis. After completing
his degree at the University of California, Irvine, was a postdoctoral
fellow at Hebrew University of Jerusalem. He is preparing his
dissertation, "Jean-Paul Sartre and the Jewish Question," for
publication. Judaken has published articles on Sartre in Patterns
of Prejudice, Historical Reflections/Réflexions historiques,
Tympanum, and in La Voyage de l'intelligence forthcoming
in France. He also has published in History Workshop Journal,
Studies in Contemporary Jewry, Journal of Modern Jewish Studies,
and in two forthcoming books discussing Jean-Francois Lyotard,
the developing field of Jewish cultural studies, and reflections
on the "Jewish Question" in France after World War II.
Samuel
Kassow is Northam Professor of History at Trinity College.
In addition to numerous articles in Russian and Jewish history,
he is the author of Students, Professors, and the State in
Tsarist Russia: 1884-1917 (University of California Press,
1989) and a co-editor of Between Tsar and People (Princeton
University Press, 1993). Kassow is working on a book, to be published
by Indiana University Press, about Emanuel Ringelblum and the
underground archives of the Warsaw ghetto.
Judith
Kauffmann is an Associate Professor of French at Bar-Ilan
University and former head of the French department. Among her
recent publications are Grotesque et Marginalité. Variations
sur Albert Cohen et l'effet-Mangeclous (Peter Lang, 2000)
and the co-edition of a collection of essays on Literature and
W.W.II, Literature et Reststance (Presses Universitaires
de Reims Champagne-Ardennes, 2000). She has written articles on
Francophone contemporary literature, with a main focus on humor
(visual and verbal, black, Jewish, and feminine), on marginality
and minorities, and on war, resistance, and Shoah (in fiction
and poetry).
Judith
Kelly studied Italian at the University of Leeds, and then
Hull, where she completed her doctoral dissertation on the writings
of Primo Levi. She has held the post of Lecturer in Italian at
the Universities of Leeds and Leicester, that of Senior Lecturer
in Italian at the University of Central Lancashire, and is currently
Visiting Lecturer in Italian at the University of Lancaster and
Associate Lecturer with the Open University. Her publications
include Primo Levi: Recording and Reconstruction in the Testimonial
Literature (Market Harborough: Troubador, 2000), an essay
on translations of Primo Levi's works in the Encyclopedia of
Literary Translation (London: Fitzroy Dearborn, 2000), and
"Communication Holocaust Experience. Primo Levi: Source Texts
and Translations" in Scenes of Change: Studies in Cultural
Transition (Pisa: Edizioni ETS, 1997).
Samuel
Khalifa is completing his Ph.D. on Patrick Modiano in the
department of French Literature at the Sorbonne Nouvelle. He also
teaches at the Institut d'Etudes Politiques (Paris) and in business
schools. His principal research concerns memory and the representation
of urban space. His interests include contemporary European cinema
and life writing.
Julia
Klimek holds the Ph.D. in Comparative Literature from the
University of California, Davis. She teaches at Coker College
where she is an Assistant Professor of English.
Wulf
Koepke is Distinguished Professor of German, Texas A & M University,
now retired. He has written and edited books and articles on German
exile literature including texts on L. Tenchtwanger, Alfred Döblin,
and Heinrich Mann, as well as on German 18th century literature
of J.G. Herder and Jean Paul Richter. He is an active Modern Language
Association member having served as president of the German Studies
Association and founding president of the International J.G. Herder
Society.
S. Lillian
Kremer teaches courses in American literature, ethnic and
women's writing, and Holocaust literature and film in the Department
of English at Kansas State University where she is a University
Distinguished Professor. Holder of several NEH Fellowships and
the Jewish Memorial Foundation Fellowship, she is the author of
Witness Through the Imagination: The Holocaust in Jewish American
Literature and Women's Holocaust Writing: Memory and Imagination.
Kremer's articles have appeared in Modern Language Studies,
Contemporary Literature, Modern Jewish Studies, Saul Bellow Journal,
Studies in American Jewish Literature, and numerous essay
collections. She is the former president of the Jewish American
Literature MLA Discussion Group, and serves as a juror for the
Edward Lewis Wallant Prize in Jewish American literature and on
the editorial board of several journals.
Phyllis
B. Lassner is a Senior Lecturer at Northwestern University
in Jewish Studies, Gender Studies, and the Writing Program. She
is author of two books on Anglo-Irish writer, Elizabeth Bowen,
many articles on interwar and World War II women writers, and,
most recently, Battlegrounds of Their Own: British Women Writers
of World War II.
Dick
van Galen Last, awarded a Masters Degree on History by the
University of Amsterdam, is a librarian and researcher at the
Nederlands Instituut voor Oorlogsdocumentatie. He has written
and reviewed extensively for the national press of the Netherlands
and, along with Rolf Wolfswinkel, he is the author of Anne
Frank and After (Amsterdam, 1996). He published three bibliographies
in The Bulletin of the International Committee for the History
of the Second World War (nrs. 26, 29, 30/31). More recently,
he has written the chapter on the Netherlands for a book edited
by Bob Moore, The Resistance in Western Europe (Oxford,
2000).
Peter
Lawson has recently completed his doctoral dissertation on
Twentieth-Century Anglo-Jewish poetry at the University of Southampton,
England. He is the editor of Passionate Renewal (2001),
an anthology of Jewish poetry in Britain since 1945, published
by Five Leaves. His poems and essays on Jewish poets have appeared
in several journals, including The Jerusalem Review, The
Jewish Quarterly, and New Voices in Jewish Thought.
Andrew
Leak is a Senior Lecturer in French at University College,
London. He is the author of books on Sartre and Barthes and editor
of a volume of essays on literary representations of the Holocaust.
He has written extensively on Georges Perec, as well as one of
Perec's English translators. Dr. Leak is currently president of
the UK Society for Sartrean Studies and co-executive editor of
Sartre Studies International.
Sharon
Leder is an Associate Professor of English, Coordinator of
Jewish Studies Project at Nassau Community College, Garden City,
New York. She is also coordinator of the Holocaust, Genocide,
and Human Rights Institute. She is co-editor with Milton Teichman
of Truth and Lamentation: Stories and Poems of the Holocaust
(1994) and The Burdens of History: Post-Holocaust Generations
in Dialogue (2000).
Joseph
Abraham Levi holds a Ph.D. in Romance Philology, with a concentration
in Portuguese, Medieval Spanish, and Italian, from the University
of Wisconsin-Madison. He has taught Portuguese at the University
of Georgia and Portuguese, Medieval Spanish, Medieval Islam, Islam
in Africa, and History of Africa at the University of Iowa. He
now teaches at Rhode Island College. His publications focus on
the medieval periods of the Iberian Peninsula, Colonial Brazilian
literature, the Sephardic Diaspora in the Americas during the
sixteenth through eighteenth centuries, history of the Portuguese
expansion, the Lusophone world, as well as Portuguese philology
and pedagogy.
Tobe
Levin is a Collegiate Professor at the University of Maryland
in Europe. She teaches women's Holocaust memoirs published in
the USA at the University of Frankfurt and reviews books on Gender
and the Holocaust for the European Journal of Women's Studies.
Editor of Feminist Europa. Review of Books (in gender studies
published in European languages other than English), she also
writes about German, Austrian, African American, and Jewish women
writers.
Madeline
G. Levine is Kenan Professor of Slavic Literatures at the
University of North Carolina, Chapel Hill. She is the author of
a critical study of twentieth-century Polish poetry, Contemporary
Polish Poetry: 1925-1975 (1984), and essays on Polish literary
representations of the Holocaust. Her most recent translations
are Milosz's ABC's by Czeslaw Milosz (2001), Lost Landscapes:
In Search of Isaac Bashevis Singer and the Jews of Poland
by Agata Tuszynska (1998), and Bread for the Departed,
a novel of the Warsaw Ghetto by Bogdan Wojdowski (1997).
Darrell
B. Lockhart is an Assistant Professor of Spanish at the University
of Nevada, Reno. He is a specialist in Latin American Jewish literature
and culture. He has published numerous articles in this area and
he is the editor of Latin American Jewish Writers: A Dictionary
(1997).
Dagmar
C.G. Lorenz, Professor of German at the University of Illinois,
Chicago, focuses her research on Austrian and German Jewish literary
and cultural issues and Holocaust studies with an emphasis on
history and social thought, aesthetics, and minority discourses.
Recent book publications include Keepers of the Motherland:
German Texts by Jewish Women Writers (1997) and Verfolgung
bis zu Massenmord. Duskurse zum Holocaust in deutscher Sprache
(1992). Edited volumes include Contemporary Jewish Writing
in Austria (University of Nebraska, 1999), Transforming
the Center, Eroding the Margins: Essays on Ethnic and Cultural
Boundaries in German-Speaking Countries, co-editor: Renate
S. Posthofen (1998), and Insiders and Outsiders. Jewish and
Gentile Culture in Germany and Austria (1994).
Magdalena
Maiz-Peña is an Associate Professor at Davidson College, North
Carolina. She is born and raised in Mexico and she holds a Ph.D
from Arizona State University. Dr. Maiz-Peña is the author of
Identidad, nacíon y gesto autobiografico (1998) and co-author
of Modalidades de representacíon del sujeto auto/biografico
femenino (Universidad Autónoma de Nuevo León, 1997). Her research
is centered around gender, auto/biography, and biographical studies
in Latin America. She is co-editing "Género, discurso y resistencia:
Elena Poniatowska ante la crónica,"to be published in Mexico and
she is working on a monographic project, Gender, Proper Names,
& Auto/Biographical Signatures: Mexico 1920-1950. She serves
on several MLA committees and other academic committees.
Paul
Marcus is a psychoanalyst in private practice. He is the author
of Autonomy in the Extreme Situation: Bruno Bettelheim, the
Nazi Concentration Camps and the Mass Society.
Diane
Matza is a Professor of English at Utica College. She has
written widely on the immigrant experience of Sephardi Jews in
America and on Sephardi American writers. Her work has appeared
in Midstream, Shofar, American Jewish Archives, and American
Jewish History. She is the editor of Sephardic American
Voices: 200 Years of a Literary Legacy.
Steve
McCullough is a doctoral candidate at Dalhousie University
and editor of the journal Henry Street: A Graduate Review of
Literary Studies. He is pursuing dissertation research into
deconstruction, feminism, and women's Holocaust memoirs.
David
Mesher is a Professor of English and Humanities and Coordinator
of Jewish Studies at San Jose State University. He has published
articles on Jewish writers such as Hannah Arendt, Saul Bellow,
Bernard Malamud, Arthur Miller, and I.B. Singer.
Joan
Michelson is an Associate Senior Lecturer in English: Creative
Writing and Holocaust Studies, at the University of Wolverhampton,
England. Her essays, reviews, fiction, and poetry have been published
in periodicals and anthologies including The Jewish Quarterly,
The Dybbuk of Delight: An Anthology of Jewish Women's Poetry,
The British Journal of Holocaust Education, the British Council's
annual anthologies of New Writing from England, and Remembering
the Future: The Holocaust in an Age of Genocide (Macmillan,
2001). She has received writing awards from the Poetry Society
of England, the Virginia Center for the Arts (USA). Moreover,
she has been a writer-in-residence at the Kunstlerhaus, Schwandorf,
Germany.
Goldie
Morgentaler is an Associate Professor of English at the University
of Lethbridge. She is author of Dickens and Heredity (Palgrave,
2000) and of several scholarly articles on Dickens. She has also
published numerous translations from Yiddish to English, including
the novels and short fiction of Clara Rosenfarb and the stories
of I.L. Peretz.
David
Myers is an Associate Professor of English and Religious Studies
at Texas A&M University. He is the author of The Elephants
Teach: Creative Writing Since 1880 (Prentice Hall, 1996),
and his Holocaust publications include "Responsible for Every
Single Pain" in Comparative Literature and "Jews Without
Memory" in American Literary History. He is now completing
Canonizing the Holocaust, a book-length study.
Alice
S. Nakhimovsky is a Professor of Russian and Chair of the
Department of Russian at Colgate University, and an active member
in Colgate's program in Jewish Studies. Her research interests
are in Russian-Jewish literature, culture, and behavior. Among
her books are Russian Jewish Literature and Identity (Johns
Hopkins, 1992) and, together with Alexander Nakhimovsky, Witness
To History: The Photographs of Yevgeny Khaldei (Aperture,
1997). Most recently, she has written on the Russian writers Il'ya
Il'f and Mikhail Zhvanetsky, as well as translated the autobiography
of the artist Grisha Bruskin. Her teaching at Colgate University
includes courses in Russian literature, Russian language, and
Jewish literature.
Stanley
Nash is a Professor of Hebrew Literature at Hebrew Union College
Jewish Institute of Religion in New York City. He is the author
of In Search of Hebraism: Shai Hurwitz and His Polemics in
the Hebrew Press, and the editor of Migvan: Studies in
Honor of Jacob Kabakoff, Ben Historiyyah le-Sifrut: Studies
in Honor of Isaac Barzila, and numerous articles on Hebrew
literary figures, novels, themes, and trends. Dr. Nash holds a
Ph.D. from Columbia University and Rabbinic Ordination from Jewish
Theological Seminary. He has lectured and written widely in both
English and Hebrew and is the author of numerous articles in Prooftexts
and Hadoar. He is working on a book on the Hebrew novelist
Aharon Megged. Nash has also taught at Cornell University, University
of Pennsylvania, Columbia University, Jewish Theological Seminary,
New York University, Drew University, and campuses of the City
University of New York. He serves on the editorial boards of several
scholarly journals and academic presses.
Anita
Norich is an Associate Professor of English and Judaic Studies
at the University of Michigan. She is the author of The Homeless
Imagination in the Fiction of Israel Joshua Singer (Indiana
University Press, 1991) and the co-editor of Gender and Text
in Modern Hebrew and Yiddish Literatures (Harvard and JTS,
1992). She teaches, lectures, and publishes on a range of topics
concerning Yiddish language and literature, modern Jewish culture,
Jewish American literature, and Holocaust literature.
Ranen
Omer-Sherman is an Assistant Professor at the University of
Miami where he teaches courses in English and Jewish Studies.
His essays on Jewish writers have appeared in journals such as
Texas Studies in Literature and Language, Religion and Literature,
MELUS, Shofar, and Modernism/Modernity. His recent
book is Diaspora and Zionism in the Jewish-American Imagination
(UP New England/BrandeisUP, 2002).
Michael
Ossar is a Professor at Kansas State University where he served
as head of the Department of Modern Languages. He holds a Ph.D.
from the University of Pennsylvania and studied at the Freie Universität,
Berlin. He has taught at Swarthmore College, the University of
Freiburg, the University of Giessen, and Sweet Briar College.
He is the author of Anarchism in the Dramas of Ernst Toller
(SUNY Press), and he has published essays on Franz Kafka, Paul
Celan, Arthur Schnitzler, Barbara Frischmuth, Adolf Muschg, Heinrich
von Kleist, Goethe, Ernst Toller, Christoph Hein, and others.
Harriet
L. Parmet is a Professor Emerita in the Department of Modern
Foreign Languages and Literature where she taught Hebrew at Lehigh
University. She specializes in modern Israeli literature in translation,
particularly the work of women writers. She was the co-author
of a study of feminist religious views on reproductive technologies
and a major article on Haviva Reik, a heroine of the Holocaust.
Co-founder of Lehigh University's Jewish Studies program and founder
of the Jewish Colloquia series, Parmet was responsible for Lehigh's
Judaic library acquisitions. She has published in Midstream,
Feminist Teacher, Journal of Feminist Studies in Religion, Jewish
Spectator, Nemla Modern Language Studies, Studies in American
Jewish Literature, Shofar, Visions International, Hakol, and
Literary Review and Jewish Women in America--An Historical
Encyclopedia. She has received fellowships for research in
Israel and Poland.
Susan
Pentlin is a Professor of Modern Languages at Central Missouri
State University. She was a Fulbright Exchange Teacher in West
Germany, attended a Fulbright Summer Seminar in Bonn and has also
received a grant from the American Council of Learned Societies.
She received her M.A. in German from the University of Missouri
and her Ph.D. from the University of Kansas. She is preparing
a new edition of Warsaw Ghetto: A Diary and serves as a
Commissioner on the Missouri Commission on Human Rights.
Sanford
Pinsker, Shadek Professor of Humanities at Franklin and Marshall
College, writes about American literature and culture for such
journals as The Georgia Review, Partisan Review, and The
Virginia Quarterly. For many years he was the co-editor of
Holocaust Studies Annual.
Timothy
E. Pytell, Visiting Assistant Professor, Colorado College,
is author of numerous articles on Viktor Frankl. He is currently
working on a book for Cornell University Press, entitled Paradoxical
Intention: Viktor Frankl's Struggle for Meaning.
Gila
Ramras-Rauch is Lewis H. and Selma Weinstein Professor of
Jewish Literature at Hebrew College, Boston. Her research has
focused on Hebrew literature, modern Israeli literature, the Bible
as literature, comparative literature, and Holocaust literature.
In addition to many articles, she published The Protagonist
in Transition (Peter Lang Verlag, 1982) and co-edited and
wrote the introduction to the anthology, Facing the Holocaust
(Jewish Publication Society, 1985). She has also published the
following two books with Indiana University Press: The Arab
in Israeli Literature (1989) and Aharon Appelfeld: The
Holocause and Beyond (1994) Dr. Ramras-Rauch was awarded a
fellowship grant by the National Endowment for the Humanities.
Martha
Ravits is an Assistant Professor and Acting Director of Women's
Studies at the University of Oregon and an educational consultant.
She has published in the fields of American and European literature
in both literary and interdisciplinary journals. Her specialty
is twentieth-century women's literature.
Karen
Remmler teaches German studies, critical social thought, women's
studies, and Jewish studies at Mount Holyoke College, and co-directs
the Weissman Center for Leadership. Her recent scholarship includes
a co-edited anthology of Jewish writing in Germany (with Leslie
Morris), a special issue of German Quarterly on "Sites
of Memory" (with Amir Eshel), a lead article, "Encounters
across the Void," in a collection on the unlikely history
of German Jewish symbiosis, edited by Jack Zipes and Leslie Morris,
and articles on the Jewish-German writer Barbara Honigmann, teaching
the Holocaust, and issues of memory in contemporary Germany.
Jennifer
Ring is Professor of Political Science and Director of Women's
Studies at the University of Nevada, Reno. She is the author of
Modern Political Theory and Contemporary Feminism: A Dialectical
Analysis and The Political Consequences of Thinking: Gender
and Judaism in the Work of Hannah Arendt, as well as scholarly
articles and chapters for volumes in political theory, feminist
theory, and multicultural theory.
Theodosia
Robertson is an Associate Professor in History at University
of Michigan-Flint. She is the translator of The Eternal Moment
by Aleksander Fiut (study of poetry of Czeslaw Milosz), Regions
of the Great Heresy by Jerzy Ficowski (study of life and works
of Bruno Schulz), and author of several articles and book chapters
on Bruno Schulz.
Alan
Rosen is a Lecturer in English Literature at Bar-Ilan University.
He is author of a book on typology and catastrophe entitled Dislocating
the End, editor of Celebrating Elie Wiesel, and author
of articles on Holocaust literature and film, including Eliach,
Spiegelman, Wallant, and Wiesel. Currently, he is at work on a
book tentatively entitled Sounds of Defiance: The Holocaust,
Multiligualism, and the Problem of English.
Thane
Rosenbaum is the author of The Golems of Gotham (2002),
Second Hand Smoke, which was a finalist for the National
Jewish Book Award in 1999, and Elijah Visible, which received
the Edward Lewis Wallant Book Award in 1996. His articles, reviews,
and essays appear frequently in The New York Times, Los Angeles
Times, and The Wall Street Journal, among other national
publications. He is also the literary editor of Tikkun.
He teaches human rights, legal humanities, and law and literature
at Fordham Law School. Currently, he is working on the forthcoming
nonfiction book Immoral Justice: Cultural Obsession and Popular
Discontent in American Law.
Michael
Rothberg is an Associate Professor of English and Comparative
Literature at the University of Illinois at Urbana-Champaign.
He is the author of Traumatic Realism: The Demands of Holocaust
Representation (University of Minnesota Press, 2000) and the
co-editor, with Neil Levi, of The Holocaust: Theoretical Readings
in History, Memory, and Criticism (Edinburgh University Press,
forthcoming in 2003). He is working on a book concerning intersections
between post-Holocaust and postcolonial writings. One essay from
that project on W.E.B. Du Bois has been published in The Yale
Journal of Criticism.
Rochelle
G. Saidel is the founder and director of the Remember the
Women Institute, based in New York, which carries out academic
research and cultural projects that integrate women into history.
Her book on Jewish women at Ravensbrück concentration camp will
be published by University of Wisconsin Press in 2003. A political
scientist, she is also a senior researcher at NEMGE - The Center
for the Study of Women and Gender, University of São Paulo, Brazil.
She is the author of Never Too Late to Remember: The Politics
Behind New York City's Holocaust Museum (Holmes & Meier, 1996)
and The Outraged Conscience: Seekers of Justice for Nazi War
Criminals in America (SUNY, 1984).
Ellen
Schiff is a Professor Emerita of French and Comparative Literature
at Massachusetts College of Liberal Arts. She is the author of
From Stereotype to Metaphor: The Jew in Contemporary Drama,
the editor of the first two-volume anthology of American Jewish
plays, Awake and Singing and Fruitful and Multiplying,
and advisory editor of Jewish American Women Writers. Her
essays and articles are published widely. A frequent lecturer,
she serves as a consultant on drama to the National Foundation
of Jewish Culture and a juror in its New Jewish Plays Commission.
Ernestine
Schlant is a Professor of German and Comparative Literature
at Montclair State University. She is author of two studies on
the Austrian refugee Hermann Brock, numerous articles on twentieth-century
German and Austrian literature, co-editor of Legacies and Ambiguities:
Postwar Fiction and Culture in West Germany and Japan (1991),
and author of The Language of Silence: West German Literature
and the Holocaust (1999).
Daniel
R. Schwarz is a Professor of English and Stephen H. Weiss
Presidential Fellow at Cornell University. He has received Cornell's
College of Arts and Sciences Russell Award for distinguished teaching.
He is the author of the widely read Imagining the Holocaust
(1999). His most recent book is Rereading
Conrad (2001), and his previous publications include Reconfiguring
Modernism: Explorations in the Relationship Between Modern Art
and Modern Literature (1997), Narrative and Representation
in Wallace Stevens (1993), The Case for a Humanistic Poetics
(1991), The Transformation of the English Novel, 1890-1930
(1989; revised 1995), Reading Joyce's "Ulysses" (1987),
The Humanistic Heritage: Critical Theories of the English Novel
from James to Hillis Miller (1986), Conrad: The Later Fiction
(1982), Conrad: "Almayer's Folly" through "Under Western Eyes"
(1980), and Disraeli's Fiction (1979). He has directed
nine NEH seminars, and he has lectured widely in the United States
and abroad.
Mark
Scroggins is an Associate Professor of English at Florida
Atlantic University. He is the author of Louis Zukofsky and
the Poetry of Knowledge (1998) and the editor of the collection
Upper Limit Music: The Writing of Louis Zukofsky (1998).
He has also edited a selection of uncollected prose for Prepositions
+: The Collected Critical Essays of Louis Zukofsky (2000).
He has published essays on and reviews of a wide variety of contemporary
poets, and he is writing a critical biography of Louis Zukofsky.
Monika
Shafi is a Professor of German in the Department of Foreign
Languages and Literatures at the University of Delaware. She is
the author of Utopische Entwürfe in der Literatur von Frauen
(1989), Gertrud Kolmar: Eine Einführung in das Werk (1995),
and Multiple Movements: Intercultural Encounters in Contemporary
German and Austrian Literature (forthcoming). She has published
on nineteenth and twentieth-century German authors, among them
Annette von Droste-Hülshoff, Theodor Fontane, Irmgard Keun, Christa
Wolf, Ingeborg Drewitz, and Günter Grass.
Susan
Shapiro is an Associate Professor of Judaic & Near Eastern
Studies at the University of Massachusetts, Amherst. She is the
author of Recovering the Sacred: Ethics, Hermeneutics and Theology
after the Holocaust (forthcoming). Her articles and reviews
have appeared in Judaism, Journal of the American Academy of
Religion, Religious Studies Review, Semeia, Concilium, and
Harvard Divinity Bulletin, among many other journals and
collected volumes. Shapiro has also been awarded a number of prestigious
fellowships and grants, including a Harvard University Divinity
School Fellowship in Women and Religion, a Yad Hanadiv Fellowship
at the Hebrew University in Jerusalem, a Stroum Teaching Fellowship
at the University of Washington, and an ACLS Grant.
Ziva
Shavitsky is an Associate Professor and Head of the Hebrew
and Jewish Studies Department at the University of Melbourne.
She is past president of the Australian Association for Jewish
Studies in Australia and also co-editor of the Australian Journal
of Jewish Studies. She has published many articles on Hebrew literature
as well as books including The People of Israel in Exile, in
Syria, Mesopotamia and Persia up to the Time of Alexander the
Great and The Representation of German Jewry in 20th Century
Hebrew Literature.
Efraim
Sicher teaches British and comparative literature at Ben-Gurion
University of the Negev. A graduate of London University, he did
his doctoral work at Oxford, and held a Junior Research Fellowship
at Wolfson College. His publications include books and essays
on a wide range of topics in modern Jewish culture, as well as
English and comparative literature. His collection of essays on
Holocaust memory, Breaking Crystal: Writing and Memory after
Auschwitz, appeared in 1998.
Johan
P. Snapper is the Queen Beatrix Professor of Dutch Language,
Literature, and Culture at the University of California at Berkeley.
She has published 14 books; the most recent is a monograph on
Marga Minco (1999) that is scheduled to appear in English in 2003.
The majority of her publications deal with Post-War Dutch literature,
especially the Shoah.
Naomi
Sokoloff is a Professor of Hebrew language and literature
at the University of Washington, where she has served as Chair
of the Jewish Studies Program and as Chair of the Department of
Near Eastern Languages and Civilization. She completed her Ph.D.
in Comparative Literature at Princeton University. Her publications
include Imagining the Child in Modern Jewish Fiction (Johns
Hopkins University) and a number of edited volumes, including
Gender and Text in Modern Hebrew and Yiddish Literature
(The Jewish Theological Seminary of America), Infant Tongues:
The Voice of the Child in Literature (Wayne State University),
Israel and America: Cross Cultural Encounters and the Literary
Imagination (published in a special issue of the journal Shofar),
and Books on Israel, Vol. VI (forthcoming, SUNY). Her essays
on literary responses to the Holocaust have examined the writing
of David Grossman, Aharon Appelfeld, Dan Pagis, Jerzy Kosinski,
Louis Begley, Gila Almagor, Aharon Megged, and Uri Orlev. She
serves on the editorial boards of Prooftexts, Shofar, and
Hebrew Studies. Professor Sokoloff has been the recipient
of a Fulbright-Hays faculty research grant and of grants from
NEH and ACLS.
Ruth
Starkman is a Visiting Assistant Professor of German at UCLA.
She has taught in the Department of Modern Languages and Literatures
at the University of Utah and the Departments of Rhetoric and
Scandinavian at Berkeley. Her areas of specialization are twentieth-century
German literature and film, the Holocaust, and postwar German
culture. Recent articles have appeared in Seminar, Film Quarterly,
The Historical Journal of Film, and Radio and Television.
She wrote her dissertation on Austrian author Thomas Bernhard,
and she is currently finishing a book length project on Jewish
and non-Jewish writers in Austria after the Second World War.
Ilan
Stavans is the Lewis-Sebring Professor of Latin American and
Latino Culture at Amherst College. His books include The Hispanic
Condition (1995), The Oxford Book of Jewish Stories
(1998), and On Borrowed Words (2001). His work has been
translated into half a dozen languages.
Hartmut
Steinecke is a Professor of German Literature at the University
of Paderborn. He studied German literature, philosophy and history
and completed a Dr. Phil. at the University of Bonn. He has been
a visiting professor at the Universities of Chicago, Cornell,
Dartmouth, Michigan, Kansas, and Washington (St. Louis) as well
as at several European universities. His books include volumes
on theory of the novel, Hoffmann and Heine, contemporary German
literature, and Austrian literature from Lenau to Broch. He has
published more than 100 articles and two books, Hermann Broch
and Jenny Aloni, as well as many articles about Jewish authors.
His most recent work is: Deutsch-jüdische Literatur der neunziger
Jahre. Die Generation nach der Shoah (co-ed., 2002).
Peter
Stenberg is Head of Department of German Studies, University
of British Columbia. He received a B.A. at Wesleyan, a M.A. and
a Ph.D. at the University of California, Berkeley. Awarded Humboldt
Foundation Fellowships in 1980 and 1985, he was selected for a
Swedish Institute Fellowship in 1990. He has published many essays
on Austrian, German, and Swedish literature, and a book on literary
presentation of Yiddish and German in Eastern Europe, Journey
to Oblivion (1991). His current project is Contemporary
Jewish Writing in Sweden, an anthology to be published by
University of Nebraska Press, 2002.
Michael
Taub is an Associate Professor in the Department of Judaic
Studies at the State University of New York at Binghampton. He
has also been a Visiting Professor at Vassar College. Taub has
written many books on Jewish studies and translated Israeli drama
into English. He is editor of Modern Israeli Drama in Translation
(1996), and co-editor with Joel Shatzky of Contemporary Jewish-American
Fiction: A Bio-Bibliographical and Critical Sourcebook (1997)
and Contemporary Jewish-American Dramatists and Poets: A Bio-Critical
Sourcebook (1999).
Nechama
Tec is a Professor of Sociology at the University of Connecticut
at Stamford. She is also a Senior Research Fellow for the study
of Jewish Resistance at the U.S. Holocaust Memorial Museum, and
was appointed by President George W. Bush to the museum's Council.
Author of numerous articles, she has published book-length works,
including Defiance: The Bielski Partisans (Oxford, 1993),
In the Lion's Den: The Life of Oswald Rufeisen (Oxford,
1990), When Light Pierced the Darkness: Christian Rescue of
Jews in Nazi-Occupied Poland (Oxford, 1986), Dry Tears:
The Story of a Lost Childhood (Oxford, 1984), and Resilience
and Courage: Women, Men and the Holocaust (Yale, 2003).
Claire
Tylee is a Senior Lecturer in English Literature at Brunel
University. She previously lectured at Leicester University, UK,
and Málaga University, Spain. Her publications include The
Great War and Women's Consciousness (Macmillan, 1990) and
articles on twentieth-century women's writing. She recently edited
an international anthology, War Plays by Women (Routledge,
1999) and a collection of essays, Women, World War I and the
Dramatic Imagination (2000).
Sue Vice
is a Reader in English Literature at the University of Sheffield.
Her recent publications include Introducing Bakhtin (1997)
and Holocaust Fiction (2000).
Daniel
Walden, Professor Emeritus of American Studies, English, and
Comparative Literature, Penn State University, has published some
thirty books, including On Being Black: African American Literature
(1970), On Being Jewish: American Jewish Literature from Abraham
Cahan to Saul Bellow (1974), Twentieth Century American
Jewish Fiction Writers (1984), and Conversations with Chaim
Potok (2001). Editor of Studies in American Jewish Literature
since 1975, Walden has taught courses in Literature and the Holocaust,
Women Writing the Holocaust, and Jewish Literature: The International
Perspective.
Eileen
H. Watts has published articles on Bernard Malamud in MELUS
(Multi-Ethnic Literature of the United States), Prospects for
the Study of American Literature, Studies in American Jewish Literature,
and on Malamud and Kafka in Modern Jewish Studies Annual.
Her work has also appeared in American Imago, Modern Language
Studies and The Journal of Psychology and Judaism.
She has written on Malamud's use of the Holocaust in The Magic
Worlds of Bernard Malamud (edited by Evelyn Avery), and has
served as bibliographer for the Bernard Malamud Society since
1993.
Gary
Weissman is a Visiting Assistant Professor of English at East
Carolina University. His essays have appeared in Confronting
the Holocaust: A Mandate for the 21st Century, Part Two and
Media, Culture and Society. A Fulbright Grant and a Jacob
K. Javits Fellowship have supported his work. His teaching interests
include Holocaust studies, media studies, literary theory, and
the visual arts.
Ruth
Wisse is the Martin Peretz Professor of Yiddish Literature
and Professor of Comparative Literature at Harvard University.
She is the author of The Modern Jewish Canon: A Journey through
Language and Culture (2000), If I Am Not For Myself: The
Liberal Betrayal of the Jews (1992), I.L.Peretz and the
Making of Modern Jewish Culture (1991), A Little Love in
Big Manhattan (1988), and The Schlemiel as Modern Hero
(1971). She is the editor of several volumes of translated Yiddish
literature and a frequent writer on cultural and political affairs.
Hanna
Yaoz is an Associate Professor and the Director of the Sal
Van Gelder Center for teaching and research of Holocaust literature
at Bar Ilan University. Her research interests include Holocaust
literature, modern Hebrew poetry, empathy of high-school students
with Holocaust survivors, values in education, and pedagogical
methods. She has published four volumes on Holocaust literature:
Holocaust in Hebrew literature as Historical and Trans-historical
Fiction (1980), The Holocaust in Modern Hebrew Poetry
(1984), The Scream and the Melody (1995), and Three
Generations of Holocaust Poets (in Press), as well as sixty
essays and articles.
Leon
Yudkin teaches Hebrew and Comparative Literature at University
College, London, and has lectured in the United States, France,
and Australia. He is the author of Isaac Lamdan: A Study in
Twentieth Century Hebrew Poetry (Cornell University Press
and Phaidon, 1971), Escape into Siege: A Survey of Israeli
Literature Today (Routledge and Kegan Paul, 1974), Jewish
Writing and Identity in the Twentieth Century (St. Martins
Press and Croom Helm, 1982), 1948 and After: Aspects of Israeli
Fiction (Manchester University, 1984), On the Poetry of
Uri Zvi Greenberg (in Hebrew, Rubin Mass, 1987), Else Lasker-Schüler:
A Study in German Jewish Literature (Science Reviews, 1991),
Beyond Sequence: Current Israeli Fiction and its Context
(Science Reviews,1992), A Home Within: Varieties of Jewish
Expression in Modern Fiction (Symposium Press, Science Reviews,
1996), and Public Crisis and Literary Response: The Adjustment
of Modern Jewish Literature (Les Éditions Suger, 2001). He
has edited five books and has published articles in the U.K.,
the U.S., Israel, and Europe.
Eric
Zakim is an Assistant Professor at Duke University where he
teaches modern Hebrew literature and Israeli culture in the Department
of Asian and African Languages and Literature. His M.A. and Ph.D.
in Comparative Literature were received from the University of
California, Berkeley. Among his publications are "Palimsests of
Identity: Israel at the End of the American Century," in Shofar,
and "Between Fragment and Authority in David Fogel's (Re)Presention
of Subjectivity," in the special issue of Prooftexts he
co-edited on "David Fogel and the Emergence of Modernist Hebrew
Poetry." He is now working on the relationship of landscape aesthetics
and Zionist ideology.
Katarzyna
Zechenter teaches Polish literature and culture at the School
of Slavonic and East European Studies, University College London.
She has written on contemporary Polish literature and has a special
interest in Polish-Jewish writers. She has written on Jadwiga
Maurer for
Polin: Studies
in Polish Jewry (2002). Her other publications include nine
articles on Polish literature for The Encyclopedia of Eastern
Europe: From the Congress of Vienna to the Fall of Communism
(Routledge: New York, 2000), "Homeland without a Home -- Tadeusz
Konwicki's Experience of Home" for Home/ Less: The Polish Experience
(2002), articles on Feliks Gawdzicki, Gracjan Piotrowski and Wincenty
Reklewski for Pisarze regionu swietokrzyskiego (Kielce,1990),
and an article on Hipacy Pociej and the Brest Union for Analecta
Cracoviensia (1988). Her book Curse or Glory: Polish History
and Politics in Tadeusz Konwicki's Fiction is forthcoming.
Wendy
Zierler received her M.A. and Ph.D. degrees in Comparative
Literature from Princeton University. A former Fulbright Scholar
and Whiting Fellow, she served as Research Fellow in the Department
of English at the University of Hong Kong where she taught ethnic
American literature and American studies. She is an Assistant
Professor of Modern Jewish Literature and Feminist Studies at
Hebrew Union College-Jewish Institute of Religion, New York. Her
book, And Rachel Stole the Idols: The Emergence of Modern Hebrew
Women's Writing is forthcoming from Wayne State University
Press.
Joshua
D. Zimmerman is an Assistant Professor of East European Jewish
History and Holocaust Studies at Yeshiva University. His Ph.D.
was completed at Brandeis University. He is author of Contested
Memories: Poles and Jews during the Holocaust and its Aftermath
(forthcoming).
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